Frequency Fish was created to give artists and culture-driven creators a home base—somewhere strategic, steady, and focused on the long game. Instead of chasing every trend, we help clients build careers that can survive platform changes, shifting algorithms, and hype cycles.
We specialize in talent whose work connects to real communities: hip-hop, car culture, lifestyle, and story‑driven content. That often means working across lanes—music releases, hosting, appearances, branded content, and roles inside larger projects like docuseries or live events.
Our approach is simple:
    •    Understand the artist’s story and vision.
    •    Map out the lanes where they can grow.
    •    Build the right mix of team, opportunities, and partnerships to support that growth.
Frequency Fish sits inside a broader ecosystem of festivals, production, and culture brands, which gives our clients access to stages, screens, and collaborations that might not be available through a traditional management setup.

Who We Are
At Frequency Fish, the “Fish” aren’t faceless execs—they’re operators with fingerprints on real stages and real records.

    •    Stan Wright – The Festival Fish
 25+ years of festival direction, live event ops, and logistics, leading complex concerts and outdoor festivals across Hawaii and the mainland. He brings site maps, show flows, risk management, and production discipline to every project Frequency Fish touches.

    •    Howard “Chingy” Bailey – The Artist Fish 
Multi‑platinum recording artist and entrepreneur whose career includes chart‑topping hits, global touring, and brand collaborations.  

Chingy brings the artist’s perspective into every conversation—how projects feel from the stage, on camera, and in culture.
Together, Stan and Chingy are the dual heartbeat of Frequency Fish: one eye on the contract and calendar, the other on the crowd and culture.

What Frequency Fish Does
    •    Project Packaging & Story Building – Turning raw ideas into bankable packages with story, talent, budgets, and schedules ready for platforms and investors.
    •    Deal Strategy & Ownership – Structuring fair capital, splits, and upside so everyone who brings value has a clear, protected seat at the table.
    •    Artist‑First Business Architecture – Using Chingy’s experience to protect creative integrity while making sure deals still work in the real world.
    •    Production Partner Integration – Plugging in studios, festival operators, and on‑the‑ground crews so projects don’t just read well on paper—they get finished.